Categoria: archive.org (1333)

A henpecked but stoic pharmacist (W.C. Fields) tries to maintains his precarious balance while dealing with demanding customers and his dysfunctional family

His wedding night is a 1917 American Short film comedy film starring Roscoe Arbuckle, Al St. John, and Buster Keaton, and directed by Arbuckle.

Allan visits the sinister Usher family mansion, where his friend Roderick is painting a portrait of his sickly wife Madeline. The portrait seems to be draining the life out of Madeline, slowly leading to her death

A con man from the city dupes a wealthy country girl into marriage

A couple on vacation in the woods is stalked by a pair of rapists

A woman and her lover are tortured and killed by her sadistic husband. The pair return from the grave to seek vengeance. - IMDB Description

A young girl is killed at the beach in Malibu. Professor Otto Lindsay (Jon Hall) suspects that it is some form of mutated fish. However, his son Richard (Arnold Lessing), who was a good friend of the girl, thinks that it is a madman who has a grudge against Richard and his friends. Soon the list of victims grows to include one of Rich's surfing buddies, Rich's bitchy stepmother Vicky (Sue Casey) and his friend Mark (Walker Edmiston) who was crippled in an auto accident

Rich old Cyrus West's relatives are waiting for him to die so they can inherit. But he stipulates that his will be read 20 years after his death. On the appointed day his expectant heirs arrive at his brooding mansion. The will is read and it turns out that Annabelle West, the only heir who shares his name, inherits, if she is deemed sane. If she isn't, the money and some diamonds go to someone else, whose name is in a sealed envelope. Before he can reveal the identity of Annabelle's successor, Mr. Crosby, the lawyer, disappears. This is the first in a series of ... continua

The Phantom carriage is a 1921 Swedish romantic horror film, generally considered to be one of the central works in the history of Swedish cinema The film is notable for its special effects, its advanced (for the time) narrative structure with flashbacks within flashbacks, and for having been a major influence on Ingmar Bergman.

Charlie Chaplins 12th film released. April 27 1914